Yosemite 2

I'm not thinking too much when I'm painting like this, out of doors.

My old friend Paul Georges always said something about being "willing to suspend ones disbelief."

I start to get impatient but it is the natural beauty here that takes over, and its early and I'm painting. I didn't realize that the scene would be so blue in the morning haze.

It actually makes it pretty easy to paint and it is mostly drawing into the blue.



I finished one painting and got started on the large canvas I made specially for now. I painted and wondered why it was getting hazier and bluer-- when I realized there was a fire and now, not just a little but really alot of smoke.

I was painting fast and thought I could finish but the smoke was fast enveloping the scene. I was too far along to make the smoke part of the painting.



As I had just been in another fire at Santa Inez, California, I wondered, again, if I wanted to paint the fire? Or try to ignore it?Was it something natural? I'd just had fun painting the fog in the Smoky Mountains, funnily enough this spring.

I didn't have time to make another anyhow and luckily finished the painting.

I found out later that the fire was a controlled burn. I still don't know what to think of fire, it is a troublesome affair,
supposedly natural-- but always problematic.